David Eagleman is a neuroscientist and a New York Times bestselling author. He directs the Laboratory for Perception and Action at the Baylor College of Medicine, where he also directs the Initiative on Neuroscience and Law. He is best known for his work on time perception, synesthesia, and neurolaw. At night he writes. His work of fiction, SUM, is an international bestseller published in 27 languages. Why the Net Matters examines what the advent of the internet means on the timescale of civilizations Wednesday is Indigo Blue explores the neurological condition of synesthesia, in which the senses are blended. His most recent book, the New York Times bestseller Incognito: The Secret Lives of the Brain, explores the neuroscience "under the hood" of the conscious mind--in other words, all the aspects of neural function to which we have no awareness or access.
Eagleman is a Guggenheim Fellow, a winner of the McGovern Award for Excellence in Biomedical Communication, a Next Generation Texas Fellow, Vice-Chair on the World Economic Forum's Global Agenda Council on Neuroscience & Behaviour, a research fellow in the Institute for Ethics and Emerging Technologies, Chief Scientific Advisor for the Mind Science Foundation, and a board member of The Long Now Foundation. He is an academic editor for several scientific journals. He was named Science Educator of the Year by the Society for Neuroscience, and was featured as one of the year's Brightest Idea Guys by Italy's Style magazine. He is founder of the company BrainCheck, the scientific advisor for the television drama Perception, and has been profiled on the Colbert Report, NOVA Science Now, the New Yorker, CNN's Next List, and many other venues. He appears regularly on radio and television to discuss literature and science.
David has been named a John Simon Guggenheim Fellow. He will use the fellowship opportunity to pursue the genetics and neuroimaging of synesthesia.
SUM has been turned into an opera at the Royal Opera House in London (Composer: Max Richter, Director: Wayne McGregor). The London Evening Standard hails the opera as "immersive, meditative and sweetly fascinating". Read about the background of the collaboration in Wired.
I recently spent an evening speaking at the Rubin Museum in NYC with punk rock legend, writer, and spoken word artist Henry Rollins. We discusse
Our ignorance of the cosmos is too vast to commit to atheism, and yet we know too much to commit to a particular religion. A third position, agnostici
I recently performed a CT scan on Neskhons, an Egyptian mummy who I brought to our scanning facilities at Baylor College of Medicine.
Communicating science to the public can take time away from a busy research career. So why should scientists do it? I offer a manifesto of six re
The days of thinking of time as a river—evenly flowing, always advancing—are over. Time perception, just like vision, is a construction of the bra
Hear actress Emily Blunt read the story "The Cast" from Sum.
We love NPR's Radiolab. If you haven't listened to it yet, you should. Check out several episodes featuring David's science or writing.
To the extent that consciousness is useful, it is useful in small quantities, and for very particular kinds of tasks. It's easy to understand why you
Watch an experiment in which we studied time perception by dropping volunteer subjects from a 150 foot high tower. Free fall.
Posthumanism asks what happens when our technologies allow humans to enhance intellectual, physical, and psychological capacities beyond what biology
New Scientist magazine recently featured my time perception research as their cover story.
Interested in the intersection of the brain and the legal system? Watch a talk I delivered at the Royal Society for the Arts in London,