Eagleman and Eno perform Sum

Brian Eno and I have twice performed a musical version of Sum, once at the Sydney Opera House, and once at the Brighton Dome. Brian wrote twelve new pieces of music for mutually selected Sum stories, and then he played these pieces as an underlayer over which I and other readers read the stories on stage. 

The Sydney performance drew 1000, and the Brighton performance drew 1200. We're hoping to do some more performances soon -- right now Japan and San Francisco are the main places on the radar screen. Check back here for updates.

For those (few!) who don't know him, Brian is a talented musician (albums include Music for Airports, Here Come the Warm Jets, and Before and After Science), a mega-producer (of bands like Coldplay and U2), a public intellectual, and a terrific guy.

In a separate venture, German composer Max Richter is turning SUM into a full-length opera to be performed at the Royal Opera House in London in May 2012. Stay tuned for further details as that project develops.

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From the Blog

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Newsflashes

New Scientist time story

New Scientist magazine features David Eagleman's time perception research as their cover story.
Cover of 24 October 2009 issue of New Scientist magazine

New Yorker magazine profile

Read a profile of David in The New Yorker: The Possibilian: What a brush with death taught David Eagleman about the mysteries of time and the brain by Burkhard Bilger.
Eagleman in the New Yorker

SUM at the Royal Opera House

ROHSUM has been turned into an opera at the Royal Opera House in London (Composer: Max Richter, Director: Wayne McGregor). The London Evening Standard hails the opera as "immersive, meditative and sweetly fascinating". Read about the background of the collaboration in Wired.

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